Touch Talks Touch, Definitive Us,We and They as Pronouns
Look-alike Paul Newman’s ogle, I gawked it. You introduced us to each other the first night my us was I and you. I wanted we inside him, the sound surface,trade-marked modern. Instead we was lying with your defects on a crusty mattress.
Us was the porch that had housed our first affair. The splintered love-seatwhere your drugged digits slithered my stoned smidgeon. Was we, now liquidated. You nipped my thighs into the skin of plums. An ache for splattered gums. Got off on your disfigurement. Ours, us. Opposite of attraction. The he tempted otherwise. Rugged appetite. To be varnished by his brawn…
In a windy bar, I realized he was feasible. Baited by the birthday cougar, he had no loyalty to the bare mobile upload figure. In my go-go dress, with my blossom clip, I could staff the Beauty Bar, he said. Bar-maiden beauty. Post burgers, he murmured something about Chi-City candy. I contemplated a woozy lick. Instead he spectated sterile breeding and conked out flat in the hallway. Until two seasons later, I thought it was girlish fiction,
the idea of it. But suddenly he was flesh. I fell into his flannel and we caught up. Your name was casual, shared. I isolated it, made it mine. He let me keep, making a claim you never will. Certain that he witnessed adoration on a conditioned couch, he said your conquests didn’t matter, just as, though a they with a matriarch, he played us with me. Kept bountiful bones, beloved. Flesh we, a bit. There’s brevity in every lust.
He thrummed, sneaking glances at my platform lacking dance. I did not see his eyes, but he confessed them later. Tied them to my tasseled muscles, flattering. His tongue dripped fructose, calling me a Popsicle. Sweetmeat lush. Something of the sort. Sentimental, lusty, I was his announcement to the van. Glad to have me, even grateful. He slipped into the backseat to squeeze my arm for emphasis. In the old rental, that seat built a fort and housed the us I raised with you. Now, held in the owned space, no sarong walls hid our us. Us being rhythmic lips matching drunken music. Mouths moving with tunnel time-warp vocals. Chill as shoegaze, patient bodies. Faded boy and blurry I faded to
the drummer’s guest house, wanting for a we on the kitchen floor. He was his hands. I was my jeans. A blacked-out belt removal attempted we. A flash of something practiced tempted. Memory whispers a curse for something not on hand. A sleepy vision a sleeping bag scuttle cut short shows us unpeeled, thwarted. The sample propagates passion. But more so, that unmade us reconstructs our us, touch talking touch. I could still be yours in spite of every other inch you’ve covered. Handling is remarkably isolated. We were my only us. Advertising yourself
as an I, you stumbled into isolation, into bars, out of bars, into them, still an I in their beds, back into us in the morning. We were we in the streets, on the road, in hotels, on futons, on floors, on pull out couches, on hammocks, on playgrounds. Us in pools, in tents, in tree houses, in a library, in your mother’s garden, on parking garages, in a storage unit, in your truck. A we in the triangle van, at the dock, at the thrift store. On a bloody mattress in your hometown, we were us, our us, us was our. Then you howled to me
on India Street. I did not hear you. You screwed into a they across town. I slept as an I, and you did not sleep, not in her arms. What were you part of then, lost on the city streets, not even an I? You returned to our us and you swore we were us. But my nauseous-stomach-I had wandered sidewalks and wept on the subway with the boys in your band. You did the same until I put your exhaustion to sleep with a tactile lullaby. And that night I cried mute because us had ran off. The day before you had told me that the us in my eyes
was a figment I’d placed there. Plastic us in a snow globe. She shook she shook you, placed you on a shelf in a New York gift shop. The we I keep is only a memento. The us that was in a dome, untouched. Your lonely I touching, touched, outside of my snow, my reminder of Brooklyn. Touch, touch, touch strangled us. But there is us. Rumored us. Remembered us. I have us, but you is what I call you. You have hands, not touch. You are only a you.
Source: electricwithbadnews
Texts from Mickey, A Found Poem (the last thing I'll be posting on this blog)
You are by far the most violent girl I’ve ever experienced.
I feel more repressed than Emily Dickinson locked in Sylvia Plath’s oven.
I am a commoditty to you, something to pretend with.
I love your chaos.
Every brain dead hipster white girl is just like you. You all watch/read/say/think/wear the same shit. All surface, no feeling, no religion, no love.
How much did you eat today? Do you still look pregnant in every dress you wear?
We were mother and father once.
Source: electricwithbadnews
Encouraging Words/Some Thoughts From Shelley
- You are so talented; keep it coming, always always always. Is it weird that I like your darker stuff? - K.M.M.
- your poetry makes me so nostalgic of columbia - A.W.
- You have a way with words, my dear. You put them together in ways my mind cannot even comprehend, a true literary genius. I mean it! - B.C.J.
- I can’t express the extent to which this resonates with me. - A.P.
Those are some recent comments that I really appreciate. Sometimes I need to be reminded that there is a point to writing. And I don’t think that it’s praise. I think the significance of art is to create catharsis, connection, and understanding. For someone to tell me that my writing has triggered those things for them, that they found something significant to them, personally, within it, is absolutely incredible. In the words of Shelley:
Poetry turns all things to loveliness; it exalts the beauty of that which is most beautiful, and it adds beauty to that which is most deformed; it marries exultation and horror, grief and pleasure, eternity and change; it subdues to union under its light yoke all irreconcilable things…it strips the veil of familiarity from the world, and lays bare the naked and sleeping beauty, which is the spirit of its forms…Poetry defeats the curse which binds us to be subjected to the accident of surrounding impressions…It equally creates for us a being within our being. It compels us to feel that which we perceive and to imagine that which we know.
And that is what I ultimately want to achieve.
An Introduction to Anarcha-Feminism
My friend has collected zines through out the years from punk shows. This is one of them! Enjoy!
Reason #3,794 why I love Ronni: she shares neat things.
“C”
Grazed fairy flesh fragile. Here, have the blush of
my muscle, the pressured flutters of cement nested
moth wings. Choked offerings warm against
enamel spark plugs, grinding light to paint your pupils.
I offer I to the cannibal king, who awaits the rotting
weight of composition. With the assault of a kiss, you
tumble gemstones in your jaw, leaving my mouth
silent and uncut, diamonds nicking my gums. Lick
my language, butchered body. My charmed tongue
leaps to white, forming “lapdog.” You eat me mute,
force me to all fours, the beast without speech.
Female lips loosen clasps into “care” and “keep” and
“yours” and “love,” but ropes are always ready to
chafe glass veined wrists, become bonds by definition.
Though I mouthed a caress, you clipped off the stem
of tenderness, won the hunt with a cut, and carved
my flesh with the sharp “c” on your teeth.
Tour Expenses (an imitation of Retail by Graham Foust)
Perpetual unpaid loans,
owed to no one she is grateful for.
After they’d been reduced to
fucking,
he ditched her for dive bars
in the dodgy part of Philly.
May plastic
remain pliable.
May devotion be outstandingly
counterfeit.
The van was leaving when he
emerged, reeling in the road.
Settled down and settled against her
skirt, fanned out in the back seat, he
refused to count out the drinks
contained in his veins. She thought
nothing, but let him slip and
slam down as the wheels
lurched. He cursed
at the feet of those he called
phonies, wailing and whining
with a floor-pounding fist,
casting forth a
pysch ward cackle.
Feeling meager in the company of
mania, she abruptly figured
she could never measure up to his
alcoholic debt.
Her costs were covered, but he short-changed
their sum.
Comments on my Workshop Poem
- mind, inner voice is what saves me
- sure voice, sophisticated language
- “relationships die and I write poems about it”
- “I take the crap the world gives me and I make it bloom”
- preoccupation with gender
- skill/rhythm of word choice
- past vs present vs self vs others, boys vs girls vs self
- works through its gothic images methodically
- exposes a speaker who knows herself
- eloquence and forwardness
- death provides occasion to honor it
- level of insight is really strong
- seem dead-set in providing thesis about brokenness
- gift for word play and visuals
- too many boys and drunks and gentleman
- reminds reader of Lady Gaga (HA!)
- death trope
- striking images - somber, dark
- harder beauties to see
- voice = confident in its cynicism
So, ummm…yeah…found out a lot about myself today. I guess? Also, a poem that I wrote between failed romances and chose partly because of the fact that there is no “you” turned out to be about rejection by males anyway. Ha.